Morris & James
Memory Lane

History.

From a wood-fired kiln large enough to drive a tractor into, to a pottery known across New Zealand. Matakana, 1977 to 2025.

Read the story

1977 to 2025, in brief.

The key moments, decade by decade.

1970s

  • 1977Anthony Morris, trained under Robin Welch in England, returns to New Zealand with his wife Sue James and their son Jake. They buy land at Matakana for its clay.
  • 1977Morris & James begins, with a wood-fired kiln large enough to drive a tractor into.
  • 1978The first large pots for garden centres, the first floor tiles, and the first Labour Weekend Sale: around 100 items.

1980s

  • Early 80sThe first gas-fired truck kiln. The Penny Farthing logo is created.
  • 1983The first very large pots go to Government House in Wellington.
  • 1984Fire destroys most of the workshops. The vertical extruder arrives from Western Australia; it stays the critical machine right up to closing.
  • 1985Ceramist Mike Rose joins, and coloured glazes follow.
  • Late 80sThe first glazed bench and wall tiles. Showrooms open in Wellington, Auckland and Christchurch.
  • 1988The first kitchenware and bakeware. Over 30 staff.

1990s

  • 1990Receivership. A cattle truck of pots goes to Auckland, staff drop from 35 to 12, and the company trades its way out.
  • 1992Hand-decorated ranges arrive. A supply deal with Brewsters puts pots in banks and offices.
  • 1994The café opens.
  • 1995 to 97The glazing building, the Summer Room for drying and the seconds shed. Double-layered kiln cars double each glaze firing.
  • 1998The first factory tours.

2000s

  • Early 2000sThe Gatehouse and warehouse are built. The showroom is upgraded and gains its own manager.
  • 2004The Modern Range is released, including Molten. At the end of the year Anthony suffers a severe stroke.
  • 2009After the Global Financial Crisis, the staff buy the pottery, led by General Manager Kieran Rice.

2010s

  • 2010sXL glazed pots, the Kiwiana range and weekend tours.
  • 2015The textured Roulette range, and a return to tableware.
  • 2016The showroom expands. The seconds shed becomes the Collection Room.

2020s

  • 2020Covid brings a very busy few years as people turn to their gardens.
  • 2023 to 24The property, then the business, is offered for sale. Neither sells.
  • 2025In July the decision is made to close. Production and sales end in November.
  • 2026The Clay That Connects Us is published, gathering the community’s stories.

The story.

In 1977 Anthony Morris came home from England, where he had learned to make pots under Robin Welch. With his wife, Sue James, he bought land at Matakana for its clay deposits and its closeness to the Auckland market.

The site came with two old kauri buildings: a sports changing room from Warkworth and the old Matakana Village bakery. They built a wood-fired kiln big enough to drive a tractor into, and by 1978 were making large garden pots and floor tiles. That year they held the first Labour Weekend Sale, with around a hundred pieces. By the 2000s it offered some six thousand.

Ant’s interest was in ‘intermediate’ technology: simple machines that free the maker from drudgery without replacing the maker. He combined wheel-throwing with new methods to make bigger, more consistent pots, and in 1984 brought a vertical extruder from Western Australia. The same year, fire destroyed most of the workshops. The pottery rebuilt, and the extruder stayed at the centre of production right up to closing. In 1985 ceramist Mike Rose arrived, and with him the coloured glazes that became Morris & James.

“Our products are made with pride and delight, to be enjoyed with pride and delight.”
Anthony Morris

By 1988 there were showrooms in three cities and more than thirty staff. Then, in 1990, the lifting of import restrictions and other pressures pushed the company into receivership. A cattle truck was loaded with pots and driven to Auckland; staff went from thirty-five to twelve; suppliers stood by. The company traded its way out.

What followed was growth of a different kind. Hand-decorated ranges from 1992. The café in 1994. New buildings through the decade, factory tours from 1998, and the Modern Range, with Molten, in 2004. That same year Anthony suffered a severe stroke, and in 2009 the staff, led by General Manager Kieran Rice, bought the pottery.

Under staff ownership came the XL glazed pots, Kiwiana, the Roulette range and the Collection Room, and a very busy few years through Covid. In July 2025, after the property and then the business had been offered for sale without success, the decision was made to close. Production and sales ended in November 2025.

“It was great to arrive at work and to drive down the avenue of trees to the pottery,” Kieran wrote. “I feel confident however that our work will continue to bring colour and joy into homes throughout New Zealand (and further afield) for many years to come.”

The Potter’s Mark

The Penny Farthing.

Anthony Morris and Sue James developed the mark together, inspired by memories of a penny-farthing hanging on his grandfather’s stable wall. It stands for the enormous difference simple technology can make, but only according to the skill of the rider.

Identifying a piece
The first stamp prototype

From the archive.

Labour Weekend at the pottery, from pots laid out in the paddock in 1980 to the crowds of the late 1990s.

In print.

Leaflets, catalogue sheets, brochures and posters, kept in the office files.

The clay that connects us.

Stories from the Morris & James community.